He said he knew some kids ...
... that are of No Reply, a group of swing here in Madrid.
other words, I came three in the same 'package'
Joe: course, the incredible thing was that we proposed, they wanted to, he looked good, we gave them the records, Curran it home, we were ... and how they are friends and have been playing together for a long time, because uncle, suddenly it worked perfectly
What Le Punk wins with the new lineup?
Joe:
Lots of power, is more rock ... Alfa
:
... much cleaner base. Before there were times when we were in a song Joe and I played guitar, was a piano (apart from the low) ... and suddenly on the disc recorded an accordion and an organ and the base was super charged. "Do not Shoot the Pianist" was a dense disc in the base for that reason, we got a bit baroque to the topic. The winds now come to the party of strength and make the songs come up, but leave the base breathing calmly and this album [which is about to go] about what we recorded with a guitar, bass and drums as the base.
And in live? Joe:
In direct what is much appreciated it much more powerful, much more to the point. Much nicer, too.
After all the trouble to find a place, Edit self, changes in training, getting an audience ... Can we consider that Le Punk is now a stable project? Alfa
:
Male, depends on the sites. There are places where it works better and places where it does not work.
I meant, rather than the public, your own perception of the band. If a project is seen as stable, consolidated.
Joe:
course. Since the departure of Tuli and Caesar ... Well, there was a personal thing, so we, when they left, we had to look in a bit navel all talk and say "what we do", "what happens here." And suddenly it was the perfect time to cleanse us from all that if we go ahead and from there continue with a project very stable on a personal level. On a commercial level, it is very relative, not so much about ... Alfa
:
I also note in the record we've done that we have renewed the commitment between us ... is that it is difficult to work with so many people. We were six, six people with an opinion each, six people talking all the time about everything.
A bit of narcissism: What do you think you have done well?
Alfa
:
I think we've been brave and honest ... Joe:
Honest, above all that. Alfa :
... and we have not looked anything but make music that fills us and I think we've got in spades. And besides, it is a bit strange for the landscape now. I think this is something we are entitled to say. Joe:
And we have spread it, mostly. That honesty, so to speak, it sounds a bit wrong ... spread has been achieved at the public level, people see you. It is fucking everyone you talk like that, you respond well, as equals. Alfa
:
is very easy, because they respect you in advance and when you sit down to talk to people. I do not know, I think it's a bit of everything: direct, records, letters. The letters carry much weight, I think they are smart and that people like. Well, some of the people.
must be terrible to be a group such as El Canto del Loco, for example, and instead of doing an interview of the top 40, do you interview someone who knows about music, you know when you sit down with him who despises your work. On the other hand, must molar shit you gain as much pasta as they (laughs)
A good sign for Le Punk: I have been unable to find a bad review. Do you dare? Alfa
: I think we're constantly learning, which is something that we very gala, one of the other group. We are learning constantly amazed at how we learn and apply it. So in this sense, the project remains dynamic, we are introducing many things and that makes often be a little ... truism doing, right?
Joe: We are very donkeys in this sense: we get into one thing and we go for it from our ignorance. But assume, and that's fine too. Alfa
: I believe that in the preparation and the process of recording 'Do not Shoot the Pianist' were very pretentious and did not get to make a record that was at the height of the compositions, arrangements level.
Joe:
not find the energy. Alfa :
(Rotundo) No. Now when we play the songs of 'Do not shoot the pianist "with the winds, I think we all realized we made a series of basic errors in the previous record . It is this charge that we spoke about before, that density. Joe:
is produced considering putting a bit of everything, fix it and eventually lose much strength. Also, maybe we do not let the
musicians such We will not repeat a thousand times the influences cited in other interviews, but I would like to clarify some who have put on your myspace
... What paint there ...
... Gloria Fuertes? Alfa : represents the first poetic message of a child.
... Mencia wine? Alfa :
is a wine of the region of Mencia, which is between Orense y León. A wine rude but ... Joe:
... tremendous
Alfa:
... but sweet and very good ... Milo Manara?
Joe:
Damn! Alfa :
No one, not God made a woman as pretty as Milo Manara ... Scurvy?
Joe: Just as Gloria Fuertes, the first contact (laughs)
... Rosa Luxemburg? Alfa : Rosa Luxembourg is the woman revolutionary, revolutionary politics. A tremendous character. I guess that blows to anyone who knows his story feel like combat, and that is very important.
... Chopin? Joe: We'll see. The next step.
... Miguel Delibes? Joe: Huge writer. Alfa
:
Huge. No one has known - that I have read - translating so savagely and so tenderly Castilian spirit. It's an amazing thing. Joe: Writer
also for small and older.
Abad de Santillán ...? Alfa
:
is the summum of anarchist thought, no one who has developed an anarchist thought with the same sobriety and with the same efficiency and with the same political grounds. It is as solid as Marx. __________________________________
The next
part: Internet, hacking, downloads, and new forms of distribution. And a gift, a pair of tracks on the new album.
Links
our seasoned readers probably remember this humble contributor to the mystic fallacy since a long time ago that did not happen here or to read. Things in life: one day you feel full of life, with his head full of wild ideas about the relationship of the fall of the Berlin Wall Mandelbrot's theorem and the next day you think it's not worth wasting your precious time lavishing your musical onanism convoluted prose. It may be a good time to pick up hard drugs. However, this prolonged drought literature to which I have been subjected during
the last three months has allowed me to explore some music projects that perhaps I would have gone unnoticed otherwise. In any case, a few weeks ago I had the pleasure of meeting at a concert to a group of patriotic music scene itself is worth it: Tinnitia. It was through them that I came to know of a number of bands that recently have filled my dead spaces between alcohol intoxication. One of them, which I would like to dedicate this post, is the champion of Metal-Progressive Italian, Ephel Duath name.
For those few false geek background to the name they have bristly hairs on your neck for no apparent reason, I will say that according to Wikipedia, Ephel Duath is a mountain range that keeps the border east and south of Mordor. At this time more than one will be thinking that I lost the cherimoya and have fallen into the downward spiral of medieval Heavy Arwen plan. But life holds surprises for us, nor have I lost the little musical approach that even I was, and these guys have dragons on the covers of his albums.
If I had to define the musical style of these men say they are somewhere between Mr. Bungle's Disco Volante and the Miles Davis Bitches Brew, but possibly it does not do justice to the band, and the duo (sometimes trio, sometimes something else) goes a long way in Padua. Something in his music Jazz, Avant Garde something a little progressive rock and tons of Metal:
This track belongs to the acclaimed The Painter's Palette (2003), the second LP of the band and possibly one of the best records rampant art I've ever heard long time. Each of the nine songs on the album is subtitled with a pigment in one, I suppose, attempt to evoke some kind of primary reaction in the listener. Since then, his Praha, definitely sounds Ancient Gold.
However, the disk is really clean, although there are parts they do not quite jell as Ruins (Deep Blue and Purple) has high points as the only low Labyrinthine (Crimson) that you begin to feel like smashing furniture and burning pictures of your home.
Ultimately interesting acquisition for any self-respecting musicófilo hardened.
The next album in order of publication is named Pain Necessary to Know (2005).
In the beginning the group from a different premise: the music progresses throughout the lifetime of the album without passing twice on the same site and, overall, the implementation has a much less rational than the previous LP. It is unfortunate that a disc with just good passages is marred by an absolute determination as to disperse its contents. If I had to choose a theme to illustrate the general tone of the disc may be Vector, Third Movement (first in order of appearance):
This song, although not bad at all, it perhaps a little pretentious (funny I say that) in the sense that seems to try to put much more music than can fit in four minutes and lasts one quarter. Fragments impressive, but I am totally unable to think of one that I liked immediately after hearing the track.
's latest album, which I have not had access yet, is called Pain Remixes the Unknown (2007). In an unexpected bombshell has released an electronic plan reissue his earlier work. And people seem to like. I come to read comparisons to Aphex Twin, and that is too big.
confess that the reason for this post, as well as prevent Mr. boat I eat a pulled left arm around him, is to encourage you to attend the concert Ephel Duath Tinnitia celebrated this week as openers. Will take place on Friday May 23 at 9 Siroco (c / San Dimas 3 meters Novitiate and San Bernardo, Madrid). Promises great things.
: 
At this time of which you speak, how you have raised the restructuring of the band? 
