The twentieth century was the milk. Convulsive, but interesting. A bright start, a gray time from 50, a surprise ending, all full of hosts. Popular music, so in essence, is what we speak here, "the end, little will be that of the principle was extended in form and substance. XXI Century has begun regular in this respect-well, and the rest nearly as well-and almost everything that comes interesting lately is a reprint of one form or another rock that was already thirty or forty years. It seems that the indie * is low: after its peak is now in the fall. While bonded with a sledgehammer renovation which involved the punk, at least in style, has ended up turning into a phenomenon stadium, emptied of everything good that was. At least they wear less ridiculous than when it was the same with metal. Well, less Bono.
In the picture, giving Bono embarrassed
* In this holy house seems the term indie bullshit, but not I'm going to start lecturing about what is indie and what not. I get no balls today and you already understand what I mean.
While it seems that creative stagnation and that goes for awhile now and no time to reinvent the music is popular with the desire and intensity of punk, we will enjoy the new classics, of people in the background has not invented anything, but have done very well. It seems incredible, but the whole wave of post punk has come of age, rap has not passed the anal phase and is not even an alternative for people who enjoy music and electronics thirty years ago it ceased to be the new . Supply of all available musical style, country music is an American elderly: another world is nowhere near a English cultural in their twenties. But there are interesting things.
Flashback: In 1965, Dylan brings out the Bringing It All Back Home, whose A-side vinyl is played by "Oh, the devil! - A rock and roll with lyrics light years away from what he did the rest of the people. At that time, the Byrds and the Beatles put a similar spin and take a few records that, without losing the reference folk are much more advanced than what the other people around the world, with few exceptions, are doing . In 68, the Byrds Gram Parsons put on the payroll. The sound of the Byrds at this point veers more towards the country: the first modern country album was born: Sweethearts Of The Rodeo, an amalgam of rock and country that fits like a charm. Parsons 1968, just as The Flying Burrito Brothers bassist for the Byrds. Alternative country at that time is a reality, it is a scene where bands play the style and in every style, is popular for a while. Then come the eighties, the decade of which no written records beyond the work of the monks in their monasteries, ancient wisdom collected until this time of darkness with just 90.
In 1985, in the midst of the Dark Ages, a few long hairs that were left condylar
enchantment by fireworks Hair Metal Jayhawks mounted in Minnesota and engaged to peel your ass in local concert halls around the Midwest, mature sound. An album in 1986 titled, and another in 1989, Blue Earth, with a more mature and caring, they earn the right to a tour around the country. In 91, the petardazo stick with Hollywood Town Hall.
Hollywood Town Hall is a round disc. The influence of Parsons and his offspring are clear., There is an innovation patent in their sound, there is nothing new. But the album is marvelous: the songs are linked with each other, almost no fluctuations. A very quiet drive that does not aim too high, but gives a commendable result.
Four years later, comes Tomorrow The Green Grass. If HTH
was good, this is perfect. This is his last album with Gary Olson, the singer, who is swollen balls to be part of a group with aspirations and went on to make the music he wanted. A beautiful album, with gems like See Him On The Street, Royal Blue or Light. After
TTGG, the Jayhawks, without Olson, down a notch, but did not abandon his capacity as a group. The rear discs without Olson are certainly worthwhile. For the raw and straight to the jaw is particularly recommended elSound of Lies, the first album they released after the departure of singer. Six years ago took Rainy Day Music, his latest album to date, a record without going as level or Hollywood Town Hall Tomorrow The Green Grass is enjoyable, perhaps closer to the roots of country sound true to the rock. Here you can listen
discs in Spotify:
Hollywood Town Hall (1991)
Tomorrow The Green Grass (1995)
Sound Of Lies (1997)
Rainy Day Music (2003)
Y plus:
Bob Dylan - Bringing It All Back Home (1965)
The Byrds - Sweethearts Of The Rodeo (1968)
Flashback: In 1965, Dylan brings out the Bringing It All Back Home, whose A-side vinyl is played by "Oh, the devil! - A rock and roll with lyrics light years away from what he did the rest of the people. At that time, the Byrds and the Beatles put a similar spin and take a few records that, without losing the reference folk are much more advanced than what the other people around the world, with few exceptions, are doing . In 68, the Byrds Gram Parsons put on the payroll. The sound of the Byrds at this point veers more towards the country: the first modern country album was born: Sweethearts Of The Rodeo, an amalgam of rock and country that fits like a charm. Parsons 1968, just as The Flying Burrito Brothers bassist for the Byrds. Alternative country at that time is a reality, it is a scene where bands play the style and in every style, is popular for a while. Then come the eighties, the decade of which no written records beyond the work of the monks in their monasteries, ancient wisdom collected until this time of darkness with just 90.
In 1985, in the midst of the Dark Ages, a few long hairs that were left condylar
enchantment by fireworks Hair Metal Jayhawks mounted in Minnesota and engaged to peel your ass in local concert halls around the Midwest, mature sound. An album in 1986 titled, and another in 1989, Blue Earth, with a more mature and caring, they earn the right to a tour around the country. In 91, the petardazo stick with Hollywood Town Hall. Hollywood Town Hall is a round disc. The influence of Parsons and his offspring are clear., There is an innovation patent in their sound, there is nothing new. But the album is marvelous: the songs are linked with each other, almost no fluctuations. A very quiet drive that does not aim too high, but gives a commendable result.
Four years later, comes Tomorrow The Green Grass. If HTH
was good, this is perfect. This is his last album with Gary Olson, the singer, who is swollen balls to be part of a group with aspirations and went on to make the music he wanted. A beautiful album, with gems like See Him On The Street, Royal Blue or Light. After TTGG, the Jayhawks, without Olson, down a notch, but did not abandon his capacity as a group. The rear discs without Olson are certainly worthwhile. For the raw and straight to the jaw is particularly recommended elSound of Lies, the first album they released after the departure of singer. Six years ago took Rainy Day Music, his latest album to date, a record without going as level or Hollywood Town Hall Tomorrow The Green Grass is enjoyable, perhaps closer to the roots of country sound true to the rock. Here you can listen
discs in Spotify:
Hollywood Town Hall (1991)
Tomorrow The Green Grass (1995)
Sound Of Lies (1997)
Rainy Day Music (2003)
Y plus:
Bob Dylan - Bringing It All Back Home (1965)
The Byrds - Sweethearts Of The Rodeo (1968)
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